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Results 181-200 of 254, page 10 of 13 ⟵ ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| Jeroen Peeters | Waarom al die vragen? | Etcetera | 2003 |
| André Lepecki | Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 3 | Sarma | 2004 |
| André Lepecki | "If I can't dance I don't want to be part of your revolution." | Ballettanz | 1995 |
| Marianne Van Kerkhoven | A wanderer and a fugitive shalt thou be on the earth | Kaaitheater bulletin | 2010 |
| Jeroen Peeters | Dialogues on blindness IV. | Dance Theatre Journal | 2006 |
| Jeroen Peeters | Strategies of adaptation | A-Prior | 2001 |
| Pieter T'Jonck | Onmogelijke schoonheid: Zeitung, een nieuwe Rosas | Etcetera | 2008 |
| Isabella Lanz | Fantomen van de Nederlandse danskritiek | TM | 2003 |
| Aat Hougée, Lisa Nelson, Steve Paxton, Nancy Topf | Whose Dance Are You Doing | Talk / SNDO 1982-2006: dancers talking about dance | 2009 |
| Jeroen Peeters | Blind Machinations and Grotesque Counter-Movements | Blind Machinations and Grotesque Counter-Movements | 2006 |
| Jeroen Peeters | Dance critic: profession, role, personage, performance? | Stationen | 2004 |
| Marianne Van Kerkhoven | Focus Jan Lauwers & Needcompany (Nl.) | Kaaitheater bulletin | 2004 |
| Jeroen Peeters | How Do You Want to Work Today? | Knowledge in motion | 2007 |
| André Lepecki | Rethinking Words | Contact Quarterly | 1994 |
| Jeroen Peeters | Sandro Botticelli's contrappasso | Highway 101 - The Journal | 2000 |
| Marianne Van Kerkhoven | Op de rand van de geordende maatschappij | TM | 2004 |
| Pieter T'Jonck | Historische theaterschetsen | Etcetera | 2007 |
| Fransien van der Putt | Dance criticism on the move! | www.emiogrecopc.nl | 2003 |
| Andrea Keiz, Anouk Llaurens | Interview of Andrea Keiz by Anouk Llaurens | Replays, variations sur les Tuning Scores de Lisa Nelson | 2025 |
| Myriam Van Imschoot | Slow turning, white flower effect | De Scène | 1997 |
Results 181-200 of 254, page 10 of 13 ⟵ ⟶