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Results 41-60 of 61, page 3 of 4 ⟵ ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| Yasuo Akai | Re:turn letters | Sarma | 2002 |
| Diana Theodores | Rehabilitating Dance Criticism | Dance Theatre Journal | 2002 |
| Jeroen Peeters | Rhythm/repetition/pattern | DerStandard.at, ImPulsTanz.com | 2002 |
| Jeroen Peeters | Servus Franzl! | Programme note | 2002 |
| Gerald Siegmund | Some personal reflections on my criticism which I am reluctant to call my 'Poetics' | Sarma | 2002 |
| Pieter C Scholten | Statement on dance criticism | www.emiogrecopc.nl | 2002 |
| Jeroen Peeters | Strike the backdrop! | DerStandard.at, ImPulsTanz.com | 2002 |
| Alice Chauchat, Ugo Dehaes, Thomas Plischke | Study | Sarma | 2002 |
| Franz Anton Cramer | The Pursuit of Meaningness | 2002 | |
| Alexander Baervoets | The future of dance and its aesthetics: truth, beauty and goodness? | Sarma | 2002 |
| Jeroen Peeters | The impossible pas de deux of looking and writing | Sarma | 2002 |
| Pieter T'Jonck | The interchangeability of dance and visual art after Duchamp | Tussen beeld en beweging | 2002 |
| Jeroen Peeters | The myth of Disfigure Study | DerStandard.at, ImPulsTanz.com | 2002 |
| Jeroen Peeters | The operational theatre | DerStandard.at, ImPulsTanz.com | 2002 |
| Jeroen Peeters | Theatre in the casino | DerStandard.at, ImPulsTanz.com | 2002 |
| Jeroen Peeters | There’s no way of escaping being looked at by others | Programme note | 2002 |
| Natasha Hassiotis | Thomas Lehmen | VIMA | 2002 |
| Sarma's editor | Tracing B-Visible | Sarma | 2002 |
| Jeroen Peeters | Transformations and mental permutations | DerStandard.at, ImPulsTanz.com | 2002 |
| Jeroen Peeters | Veronika! | DerStandard.at, ImPulsTanz.com | 2002 |