Constructing Contemporary Dance
A colloquium curated by Aisthesis, Research centre for the study of language and body, University of Antwerp
Saturday Octobre 9, 2004, Monty, Antwerp.
Objectives
What is contemporary dance? Intuitively, we know what the term stands for, but the meaning of 'contemporary dance' extends far beyond a description of what is going on in dance today. A well-defined group of productions is continually labeled as 'contemporary' by critics, academics, producers, and others. In doing so those performances become 'contemporary'. The performative construction of such terms as 'contemporary dance' is the subject of this colloquium. We want to investigate what different purposes they serve, ranging from barometer to discriminating norm. The keynote speakers approached the subject in three different ways. Rudi Laermans (Katholieke Universiteit Leuven, Belgium) explored how the term is used from a sociological point of view. Ramsay Burt (De Montfort University, Leicester, UK) drew a historical comparison with the equally performative terms 'modern dance' and 'postmodern dance'. Finally, Pieter T'Jonck treated the problem with a critical background and linked it to the use of terms like 'conceptual art' and 'performance art' in the context of visual arts. After each lecture, the speaker engaged in debate with choreographers, critics, and producers.
The conference was Chaired By Luk Van den Dries and Katleen Van Langendonck
Programme
Introduction
Lecture Rudi Laermans (34 min) Text: Rudi Laermans' text will be published in a forthcoming issue of Performance Research, and could not be made available at Sarma. He unfolded a similar argument (which served as inspiration for the whole colloquium) in the text Hedendaagse dans, wat is dat?
Panel discussion with Rudi Laermans, Koen Kwanten (artistic director Dans in Kortrijk), Elke Van Campenhout (dance critic) and Etienne Guilloteau (choreographer) (57 min) Note: Questions from the audience came from Myriam Van Imschoot, Bojana Cvejic, Ischa Tallieu, Justin Garrick and Thomas Hauert.
Lecture Ramsay Burt (38 min) Undoing postmodern dance history
Panel discussion with Ramsay Burt, Myriam Van Imschoot (dance dramaturg), Pieter T'Jonck (dance critic) and Alexander Baervoets (choreographer) (48 min) Note: The first part of Myriam Van Imschoots reply was not recorded. The statement began with "...". Questions from the audience came from Bojana Cvejic, Jean-Luc Ducourt and Andros Zins-Browne.
Lecture Pieter T'Jonck ( 28 min) Text in English The interchangeability of dance and visual art after Duchamp Tekst in het Nederlands: De inwisselbaarheid van dans en beeldende kunst na Duchamp
Panel discussion with Pieter T'Jonck, Ischa Tallieu (art gallerist Gallery Fortlaan 17, Ghent), Christina Pizzo (member of Kinkaleri art and performance group) and Alexis Destoop (video artist) (46 min) Note: questions from the audience came from Ramsay Burt, Rudi Laermans, Eleanor Bauer and Justin Garrick.
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Author | Title | Publication | Year |
---|---|---|---|
Elke Van Campenhout | Klapstuk gaat Stuk | De Standaard | 2001 |
Jean-Marc Adolphe, Gérard Mayen | La « non-danse » danse encore | Mouvement | 2004 |
Christophe Wavelet | L’après-sprectacle | Mouvement | 2000 |
Mirjam van der Linden | Springdance is vooral anti-dans | De Volkskrant | 2003 |
Pieter C Scholten | Statement on dance criticism | www.emiogrecopc.nl | 2002 |
Pieter C Scholten | Statement over danskritiek | www.emiogrecopc.nl | 2002 |
Results 41-46 of 46, page 3 of 3 ⟵