A-Prior
Results 1-20 of 31, page 1 of 2 ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| Deborah Jowitt | All Decked Out in Dire Intentions | The Village Voice | 1974 |
| Franz Anton Cramer | Dance-seeing as a way of thinking | www.goethe.de | 2015 |
| Pieter T'Jonck | Een onbeschrijflijke toestand: ALIBI (MEG STUART/DAMAGED GOODS) | Etcetera | 2002 |
| Dieter Roelstraete | Amor fati/ Frigor mortis | Programme note | 2006 |
| Jeroen Peeters | Performance als 'tussen' | Etcetera | 2003 |
| Boris Charmatz, Isabelle Launay | And what about ‘dance’? | Undertraining | 2011 |
| Rudi Laermans | Crisis in de kunstkritiek | De Tijd | 2004 |
| Marianne Van Kerkhoven | Focus Meg Stuart (Eng.) | Kaaitheater bulletin | 2003 |
| Martin Hargreaves | Queer Expression, Context and Performativity: Not Talking and Saying Too Much | Sarma | 2002 |
| Pieter T'Jonck | Na de zondvloed | De Tijd | 2001 |
| Jeroen Peeters | Strategies of adaptation | A-Prior | 2001 |
| Adham Hafez | Performing Dissent | Sarma | 2021 |
| Pieter T'Jonck | Hoe vertaal je ALIBI?: Meg Stuart's Alibi van Maarten Vanden Abeele | Etcetera | 2003 |
| Jonathan Lahey Dronsfield | Where Narrative Stops | Wilkinson Gallery | 2013 |
| Pieter T'Jonck | Klapstuk #11 bis: introduction | Sarma | 2004 |
| Stefanie Wenner | Horizon as a machine to produce visibility | Sarma | 2002 |
| Pieter T'Jonck | The interchangeability of dance and visual art after Duchamp | Tussen beeld en beweging | 2002 |
| Jeroen Peeters | Strategieën van adaptatie | A-Prior | 2001 |
| Ismail Fayed | We Are All Going to Die? | Medina Portal | 2020 |
| Petra Kuppers | Landscaping: Spacings | Women and Performance | 2003 |
Results 1-20 of 31, page 1 of 2 ⟶