Notes
Results 61-80 of 188, page 4 of 10 ⟵ ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| Jeroen Peeters | Why do we look at animals? | Etcetera | 2013 |
| Marianne Van Kerkhoven | Focus Raimund Hoghe (Eng.) | Kaaitheater bulletin | 2002 |
| Natasha Hassiotis | The Rites of Dance | Imerissia | 2000 |
| Jeroen Peeters | Samenleven op de scène | Etcetera | 2011 |
| Jeroen Peeters | Three extracts from the stone lexicon | Programme note | 2018 |
| Anouk Llaurens, Jeroen Peeters | Interview of Jeroen Peeters by Anouk Llaurens | Replays, variations sur les Tuning Scores de Lisa Nelson | 2025 |
| Rudi Laermans, Marianne Van Kerkhoven | Anne Teresa De Keersmaeker (Eng.) | Critical Theatre Lexicon | 1998 |
| Sabina Holzer | Resistive Manifestations | Programme note | 2020 |
| Gerald Siegmund | The mirror and the empty stage | Shadow Bodies | 2006 |
| Isabelle Ginot | Dis-identifying : Dancing bodies and analysing eyes at work | Discourses in Dance | 2004 |
| Jeroen Peeters | Incidents and Incitements | Not Just a Mirror | 2015 |
| André Lepecki | Undoing the fantasy of the (dancing) subject. | The Salt of the Earth | 2001 |
| Jeroen Peeters | Expanding the hunting ground | Programme note | 2014 |
| André Lepecki | Klapstuk '91: End of the party | BLITZ | 1991 |
| Erwin Jans | ‘A living carpet with much doubt throughout and yet, with the help of “the others”, a self-sought pattern with several colours and a few lines’ | Sarma | 2015 |
| André Lepecki | To be done with absurd existence | Programme note | 2013 |
| Fransien van der Putt | Welkome inbreuk op louter fysieke esthetiek | www.theaterkrant.nl | 2017 |
| Diana Theodores | Rehabilitating Dance Criticism | Dance Theatre Journal | 2002 |
| Sabina Holzer | Songs of the deliberating will | Corpus | 2019 |
| Joe Kelleher | Lecture For Every One by Sarah Vanhee | Programme note | 2013 |
Results 61-80 of 188, page 4 of 10 ⟵ ⟶