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Results 1-20 of 135, page 1 of 7 ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| André Lepecki | The fractal space of self | Dramaturgical notes | 1992 |
| Jeroen Peeters | Naming material | And then it got legs: Notes on dance dramaturgy | 2022 |
| Jeroen Peeters | There is nothing to see | Maska | 2003 |
| Jeroen Peeters | Limited Spaces | Programme note | 2005 |
| Jeroen Peeters | Tumbling speech, jumbling bodies, mumbling politics | Sarma | 2013 |
| André Lepecki | Appetite | Programme note | 1998 |
| Martin Nachbar | How to become a trespasser or how to produce a crack in the map | Etcetera | 2005 |
| Jeroen Peeters | It's in the shape of fire | Programme note | 2017 |
| Jurij Konjar, Lisa Nelson | Ode to Artifacts | Contact Quarterly | 2011 |
| Diana Theodores | Choreographing the question: a dramaturg and choreographer in dialogue | Dance Theatre: an International Investigation | 1999 |
| Deborah Jowitt | Detective Story: Find the Work | The New York Times | 1972 |
| Jeroen Peeters | Do your encyclopaedia yourself | DerStandard.at, ImPulsTanz.com | 2002 |
| Deborah Jowitt | Quiet Please, a Berry is Breaking | The Village Voice | 1972 |
| Deborah Jowitt | When is Not Enough Too Much? | The Village Voice | 1975 |
| Deborah Jowitt | What are they up to? | The New York Times | 1971 |
| Tang Fu Kuen | String In the Ocean By Zai Kuning – Solo Works | Straits Times | 2000 |
| Jeroen Peeters | Fostering ambivalence to disguise dogma? | Sarma | 2002 |
| Lisa Nelson, Tony Vacca, Tim Wolf | The theatre, the music, the dance | Contact Quarterly | 1985 |
| Deborah Jowitt | Kill Them All! | The Village Voice | 1975 |
| Deborah Jowitt | To Keep the World Turning | The Village Voice | 1972 |
Results 1-20 of 135, page 1 of 7 ⟶