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| Author | Title | Publication | Year |
|---|---|---|---|
| Gabriele Brandstetter | Preserving the Performance - Scholarship as Art? | Sarma | 2005 |
| Sarma's editor | Tracing B-Visible | Sarma | 2002 |
| Bojana Cvejic | Amperdans: Symptons, strands and potentialities of small-scale work | Sarma | 2004 |
| Martin Hargreaves | Observations and visible definitions | Sarma | 2002 |
| Ismail Fayed | Forgotten Histories and Parallel Historiographies | Sarma | 2014 |
| Martin Hargreaves | Visible definitions | Sarma | 2003 |
| Bojana Cvejic | How open are you open? Pre-sentiments, pre-conceptions, pro-jections. | Sarma | 2004 |
| Jeroen Peeters | Tumbling speech, jumbling bodies, mumbling politics | Sarma | 2013 |
| Jan Ritsema | Lecture on improvisation | Sarma | 2004 |
| André Lepecki | Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 6 | Sarma | 2004 |
Results 1-10 of 10, page 1 of 1