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Results 1-20 of 21, page 1 of 2 ⟶
| Author |
Title |
Publication |
Year |
| Chrysa Parkinson |
Self-Interview on Practice |
Sarma |
2009 |
| Hooman Sharifi |
Artistic objective |
Sarma |
2003 |
| Meg Stuart |
My work is about asking questions |
Sarma |
1992 |
| Tang Fu Kuen, Arco Renz |
Unfolding the Critical: Conversation between Tang Fu Kuen and Arco Renz |
Sarma |
2003 |
| Bojana Cvejic |
How open are you open? Pre-sentiments, pre-conceptions, pro-jections. |
Sarma |
2004 |
| Jeroen Peeters |
Bocal - a nomadic school |
Sarma |
2005 |
| Alexander Baervoets, Natasha Hassiotis |
Unfolding the critical: Conversation between Natasha Hassiotis and Alexander Baervoets |
Sarma |
2003 |
| Helmut Ploebst, Barbara Van Lindt |
Unfolding the critical: conversation between Helmut Ploebst and Barbara Van Lindt |
Sarma |
2003 |
| Yasuo Akai |
Re:turn letters |
Sarma |
2002 |
| Jeroen Peeters |
Fragments and gestures for an earthly cosmology |
Sarma |
2017 |
| Thierry De Duve |
Critical Reflections: In bed with Madonna |
Sarma |
2003 |
| Herman Asselberghs, Dieter Lesage |
Homo Politicus. Pim Fortuyn: A Case Study |
Sarma |
2002 |
| Martin Nachbar |
Training remembering |
Sarma |
2009 |
| Martin Hargreaves |
Observations and visible definitions |
Sarma |
2002 |
| Bojana Cvejic |
Amperdans: Symptons, strands and potentialities of small-scale work |
Sarma |
2004 |
| Jeroen Peeters |
Places of allowance: untwining mind and body in writing, gestures and speech |
Sarma |
2002 |
| Jeroen Peeters |
Materials, dialogues and observations on proximity, walking about Connexive #1: Vera Mantero |
Sarma |
2004 |
| Erwin Jans |
‘A living carpet with much doubt throughout and yet, with the help of “the others”, a self-sought pattern with several colours and a few lines’ |
Sarma |
2015 |
| Joe Kelleher |
Virtuosi of Exposure |
Sarma |
2013 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 3 |
Sarma |
2004 |
Results 1-20 of 21, page 1 of 2 ⟶