| Author |
Title |
Publication |
Year |
| Mette Ingvartsen |
Self-Interview on IT'S IN THE AIR |
Everybodys Self-Interviews |
2007 |
| Anouk Llaurens, Jeroen Peeters |
Interview of Jeroen Peeters by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |
| Jeroen Peeters |
Bocal - a nomadic school |
Sarma |
2005 |
| Meg Stuart |
My work is about asking questions |
Sarma |
1992 |
| Jeroen Peeters |
Materials, dialogues and observations on proximity, walking about Connexive #1: Vera Mantero |
Sarma |
2004 |
| Martin Nachbar |
This lecture doesn't have a title. The subtitle is: |
Sarma |
2001 |
| Jeroen Peeters |
Why do we look at animals? |
Etcetera |
2013 |
| Maya Dalinsky, Anouk Llaurens |
Interview of Maya Dalinsky by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |
| Jeroen Peeters |
Performing A School. The Bocal Project |
Contact Quarterly |
2007 |
| Diana Theodores |
Towards a method in dance criticism |
Dance spectrum: Critical, Philosophical Enquiry |
1982 |
| Meg Stuart, Catherine Sullivan |
Catherine Sullivan and Meg Stuart |
BOMB magazine |
2008 |
| Tom Engels |
Between Solitaire and a Basketball Game. Dramaturgical Strategies in the Work of Antonia Baehr |
Bastard or Playmate? |
2012 |
| Ramsay Burt |
Danced Testimonies of the Traumas of Migration |
Sarma |
2007 |
| Martin Nachbar |
Training remembering |
Sarma |
2009 |
| Jeroen Peeters |
An invitation to loiter |
Corpus |
2008 |
| Tim Etchells |
Doing Time |
Performance Research |
2009 |
| Jeroen Peeters |
Where is the work of art at work? |
Superamas. BIG 3 episodes (art / discourse) |
2010 |
| Jeroen Peeters |
The exigence of holes nests time |
Programme note |
2019 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 3 |
Sarma |
2004 |
| Eleanor Bauer |
Self-Interview on AT LARGE |
Everybodys Self-Interviews |
2008 |