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Results 21-40 of 40, page 2 of 2 ⟵
| Author |
Title |
Publication |
Year |
| Marianne Van Kerkhoven |
The ongoing moment (Eng.) |
Sarma |
2009 |
| Aylin Kalem |
An Unusual Relation with a Harp… |
Sarma |
2014 |
| Alexander Baervoets |
The future of dance and its aesthetics: truth, beauty and goodness? |
Sarma |
2002 |
| Helmut Ploebst |
Writing about dance performance |
Sarma |
2001 |
| Jeroen Peeters |
Fostering ambivalence to disguise dogma? |
Sarma |
2002 |
| Jeroen Peeters |
Performing the instantaneous, displacing criticism |
Sarma |
2002 |
| Bojana Cvejic |
Amperdans: Symptons, strands and potentialities of small-scale work |
Sarma |
2004 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 6 |
Sarma |
2004 |
| Tang Fu Kuen, Arco Renz |
Unfolding the Critical: Conversation between Tang Fu Kuen and Arco Renz |
Sarma |
2003 |
| Alexander Schellow |
Drawing Relations (1) |
Sarma |
2010 |
| Lars Kwakkenbos, Martin Nachbar, Jeroen Peeters |
The art of housekeeping |
Sarma |
2010 |
| Joe Kelleher |
Virtuosi of Exposure |
Sarma |
2013 |
| Meg Stuart |
My work is about asking questions |
Sarma |
1992 |
| Erwin Jans |
‘A living carpet with much doubt throughout and yet, with the help of “the others”, a self-sought pattern with several colours and a few lines’ |
Sarma |
2015 |
| Katleen Van Langendonck |
En être et ne pas être |
Sarma |
2002 |
| Ramsay Burt |
Undoing postmodern dance history |
Sarma |
2004 |
| Gerald Siegmund |
Haunting voices and ladies who vanish |
Sarma |
2002 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 1 |
Sarma |
2004 |
| Lars Kwakkenbos |
The hurdles of broad thinking |
Sarma |
2014 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 3 |
Sarma |
2004 |
Results 21-40 of 40, page 2 of 2 ⟵