| Author |
Title |
Publication |
Year |
| Pieter T'Jonck |
En als we nu eens niet meer zouden navelstaren: Stad, theater en Brussel 2000 |
Balcon/Balkon |
1998 |
| Pieter T'Jonck |
Klapstuk #11 bis: introduction |
Sarma |
2004 |
| Rudi Laermans |
Kritiek als afscheid van de intellectueel |
De Witte Raaf |
1998 |
| Nita Little, Lisa Nelson |
Lisa Nelson in conversation with Nita Little |
Movement Research |
2006 |
| Jeroen Peeters |
Where is dance now and where will it go? |
Corpus |
2011 |
| Jan-Willem Anker |
Aphasia or another world |
On Enclosed Spaces and the Great Outdoors |
2020 |
| Emily Carson Coates |
Dance between performance and image |
A Journal of Performance and Art |
2014 |
| Meg Stuart |
My work is about asking questions |
Sarma |
1992 |
| Jeroen Peeters |
Where is the work of art at work? |
Superamas. BIG 3 episodes (art / discourse) |
2010 |
| Rudi Laermans |
The essential theatre of Needcompany |
No beauty for me there where human life is rare |
2007 |
| Scott deLahunta |
Dance Dramaturgy: speculations and reflections |
Dance Theatre Journal |
2000 |
| Jeroen Peeters |
Why do we look at animals? |
Etcetera |
2013 |
| Lars Kwakkenbos |
The hurdles of broad thinking |
Sarma |
2014 |
| Diana Theodores |
Towards a method in dance criticism |
Dance spectrum: Critical, Philosophical Enquiry |
1982 |
| Jeroen Peeters |
Danscriticus: beroep, rol, personage, performance? |
Stationen |
2004 |
| European Dance Development Center, Peter Hulton, Lisa Nelson |
The Sensation is the Image |
Writings on Dance |
1996 |
| Katja Praznik |
The hegemony of heterogeneity or the personal as apolitical |
Maska |
2004 |
| Ismail Fayed |
We Are All Going to Die? |
Medina Portal |
2020 |
| Jeroen Peeters |
Where do we find ourselves when we follow the weed trail that leads from the museum into the world? |
Museum II |
2017 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Worksof Vera Mantero and Francisco Camacho (1985-97) - Chapter 2 |
Sarma |
2004 |