Single space
Results 81-100 of 126, page 5 of 7 ⟵ ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| Rudi Laermans | The essential theatre of Needcompany | No beauty for me there where human life is rare | 2007 |
| Jonathan Lahey Dronsfield, Stefan Iancu | The Artist-Philosopher and the Pathology of Enthusiasm | Revista Arta, Samizdat | 2015 |
| Jeroen Peeters | Performing the instantaneous, displacing criticism | Sarma | 2002 |
| André Lepecki | Next Wave festival: Urban Tribe Dances | BLITZ | 1992 |
| Marianne Van Kerkhoven | The ongoing moment (Eng.) | Sarma | 2009 |
| Lisa Nelson | Composition, Communication, and the Sense of Imagination | Ballettanz | 2006 |
| Fransien van der Putt | Dance criticism on the move! | www.emiogrecopc.nl | 2003 |
| Jeroen Peeters | Where do we find ourselves when we follow the weed trail that leads from the museum into the world? | Museum II | 2017 |
| Deborah Jowitt | The only thing he doesn't do is dance | The New York Times | 1974 |
| Marianne Van Kerkhoven | Theaterschrift 5 & 6. On Dramaturgy | Theaterschrift | 1994 |
| Jeroen Peeters | Blind Machinations and Grotesque Counter-Movements | Blind Machinations and Grotesque Counter-Movements | 2006 |
| Jeroen Peeters | Places of allowance: untwining mind and body in writing, gestures and speech | Sarma | 2002 |
| Marianne Van Kerkhoven, et al. | Theaterschrift 2. The Written Space | Theaterschrift | 1992 |
| Jeroen Peeters | An invitation to loiter | Corpus | 2008 |
| Boris Charmatz, Isabelle Launay | And what about ‘dance’? | Undertraining | 2011 |
| Alexander Roberts | Turning, turning, returning | Sarma | 2015 |
| Rudi Laermans | Death foretold and its brief hereafter | Jan Fabre. Texts on his theatre work | 1993 |
| Una Bauer | Networked Publics and Dramaturgy | Maska | 2010 |
| Olive Bieringa, Anouk Llaurens | Interview of Olive Bieringa by Anouk Llaurens | Replays, variations sur les Tuning Scores de Lisa Nelson | 2025 |
| Adham Hafez | Between languages and realities | Sarma | 2014 |
Results 81-100 of 126, page 5 of 7 ⟵ ⟶