| Author |
Title |
Publication |
Year |
| Scott deLahunta |
Dance Dramaturgy: speculations and reflections |
Dance Theatre Journal |
2000 |
| André Lepecki |
Springdance conversations: André Lepecki in conversation with Bruno Beltrão, Hooman Sharifi and Rosemary Lee |
Sarma |
2005 |
| Boris Charmatz, Julia Cima, Jan Ritsema |
Springdance conversations: Boris Charmatz, Julia Cima and Jan Ritsema about Dances for those who asked nothing |
Sarma |
2005 |
| Diana Theodores |
Rehabilitating Dance Criticism |
Dance Theatre Journal |
2002 |
| Jeroen Peeters |
The Sequel |
Corpus |
2007 |
| Jonathan Burrows |
Interview with Meg Stuart |
Conversations with choreographers |
1998 |
| André Lepecki |
Poetics André Lepecki |
Sarma |
2004 |
|
Interview with Meg Stuart for Conversations With Choreographer's |
|
1998 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 1 |
Sarma |
2004 |
| Jeroen Peeters |
How Do You Want to Work Today? |
Knowledge in motion |
2007 |
| Rudi Laermans, Carine Meulders |
The body is the re/de-presentation |
Ungerufen / Uncalled |
2009 |
| Pieter T'Jonck |
Rosas In The Nineties: The Gesamtwerk as Image of the Body |
Ballett International Tanz Aktuell |
1997 |
| Deborah Jowitt |
Poetics Deborah Jowitt |
Sarma |
2003 |
| Jeroen Peeters |
Take a walk on the wild side, and talk |
Corpus |
2008 |
| Diana Theodores |
Choreographing the question: a dramaturg and choreographer in dialogue |
Dance Theatre: an International Investigation |
1999 |
| Jeroen Peeters |
Brainstorming… (Eng.) |
Tanz made in Berlin |
2004 |
| Olive Bieringa, Anouk Llaurens |
Interview of Olive Bieringa by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |
| Andrea Keiz, Anouk Llaurens |
Interview of Andrea Keiz by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |
| Sabina Holzer |
'Dance is still kind of revolutionary!' |
Corpus |
2008 |
| Jeroen Peeters |
Dialogues on blindness IV. |
Dance Theatre Journal |
2006 |