| Author |
Title |
Publication |
Year |
| Rudi Laermans |
The spatial vanishing point of the dancing body |
Media Mediations |
2003 |
| Jeroen Peeters |
Heterogeneous Dramaturgies |
Maska |
2010 |
| Jeroen Peeters |
Blind Machinations and Grotesque Counter-Movements |
Blind Machinations and Grotesque Counter-Movements |
2006 |
| Marcel Lobet |
An investigation into the revival of ballet themes |
World Theatre |
1957 |
| Pieter T'Jonck |
Rosas celebrates its twentieth anniversary |
Flanders |
2001 |
| Tom Engels |
Between Solitaire and a Basketball Game. Dramaturgical Strategies in the Work of Antonia Baehr |
Bastard or Playmate? |
2012 |
| Rudi Laermans, Marianne Van Kerkhoven |
Anne Teresa De Keersmaeker (Eng.) |
Critical Theatre Lexicon |
1998 |
| Deborah Jowitt |
Take a Trip With Monk |
The New York Times |
1974 |
| Ramsay Burt |
Undoing postmodern dance history |
Sarma |
2004 |
| Lisa Nelson, Mark Tompkins, David Zambrano |
Need to Know |
Contact Quarterly |
2000 |
| Jeroen Peeters |
How Do You Want to Work Today? |
Knowledge in motion |
2007 |
| Emily Carson Coates |
Dance between performance and image |
A Journal of Performance and Art |
2014 |
| European Dance Development Center, Peter Hulton, Lisa Nelson |
The Sensation is the Image |
Writings on Dance |
1996 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 9. Theatre and Music |
Theaterschrift |
1995 |
| Bojana Kunst |
The Economy of Proximity |
Performance Research |
2009 |
| Sabina Holzer |
What if Life, Permeated by Art, Becomes a Work of Art? |
Performing the Sentence |
2014 |
| Jeroen Peeters |
Materials, dialogues and observations on proximity, walking about Connexive #1: Vera Mantero |
Sarma |
2004 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Worksof Vera Mantero and Francisco Camacho (1985-97) - Chapter 2 |
Sarma |
2004 |
| Diana Theodores |
On critics and criticism of dance |
New directions in dance |
1979 |
| Lars Kwakkenbos |
The hurdles of broad thinking |
Sarma |
2014 |