Some Notes Are
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Results 61-80 of 120, page 4 of 6 ⟵ ⟶
| Author |
Title |
Publication |
Year |
| Anouk Llaurens, Myriam Van Imschoot |
Interview of Myriam van Imschoot by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |
| Stefanie Wenner |
Horizon as a machine to produce visibility |
Sarma |
2002 |
| Jeroen Peeters |
Places of allowance: untwining mind and body in writing, gestures and speech |
Sarma |
2002 |
| Jeroen Peeters |
Unwitnessed memories, uncharted territories |
Programme note |
2006 |
| Gerald Siegmund |
The mirror and the empty stage |
Shadow Bodies |
2006 |
| Jeroen Peeters |
Transition Exercises for a More Sustainable Mobility |
/re/framing the international |
2018 |
| Jeroen Peeters |
The empire of spectators |
Etcetera |
2008 |
| Rudi Laermans, Marianne Van Kerkhoven |
Anne Teresa De Keersmaeker (Eng.) |
Critical Theatre Lexicon |
1998 |
| Bojana Kunst |
The Economy of Proximity |
Performance Research |
2009 |
| André Lepecki |
Undoing the fantasy of the (dancing) subject. |
The Salt of the Earth |
2001 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 3 |
Sarma |
2004 |
| Jeroen Peeters |
Perception in Action |
www.pauldeschanel.be |
2004 |
| Bojana Cvejic |
How open are you open? Pre-sentiments, pre-conceptions, pro-jections. |
Sarma |
2004 |
| Raimund Hoghe |
Meinwärts |
|
1994 |
| Herman Asselberghs, Dieter Lesage |
Homo Politicus. Pim Fortuyn: A Case Study |
Sarma |
2002 |
| Ramsay Burt |
Undoing postmodern dance history |
Sarma |
2004 |
| Gabriele Brandstetter |
Preserving the Performance - Scholarship as Art? |
Sarma |
2005 |
| Jeroen Peeters |
Heterogeneous dramaturgies |
Choreography: autonomies |
2019 |
| Jeroen Peeters |
Makeshift communities of practice |
Sarma |
2015 |
| Emily Carson Coates |
Dance between performance and image |
A Journal of Performance and Art |
2014 |
Results 61-80 of 120, page 4 of 6 ⟵ ⟶