| Author |
Title |
Publication |
Year |
| Jeroen Peeters |
Incidents and Incitements |
Not Just a Mirror |
2015 |
| Sabina Holzer |
What if Life, Permeated by Art, Becomes a Work of Art? |
Performing the Sentence |
2014 |
| Thierry De Duve |
Critical Reflections: In bed with Madonna |
Sarma |
2003 |
| Anouk Llaurens, Otto Ramstad |
Interview of Otto Ramstad by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |
| Erwin Jans |
‘A living carpet with much doubt throughout and yet, with the help of “the others”, a self-sought pattern with several colours and a few lines’ |
Sarma |
2015 |
| Herman Asselberghs, Dieter Lesage |
Homo Politicus. Pim Fortuyn: A Case Study |
Sarma |
2002 |
| Jan Ritsema |
Lecture on improvisation |
Sarma |
2004 |
| Bojana Cvejic |
Amperdans: Symptons, strands and potentialities of small-scale work |
Sarma |
2004 |
| Jeroen Peeters |
Something to hold onto |
Programme note |
2011 |
| Ramsay Burt |
Undoing postmodern dance history |
Sarma |
2004 |
| Rudi Laermans, Marianne Van Kerkhoven |
Anne Teresa De Keersmaeker (Eng.) |
Critical Theatre Lexicon |
1998 |
| Jeroen Peeters |
Materials, dialogues and observations on proximity, walking about Connexive #1: Vera Mantero |
Sarma |
2004 |
| Martin Hargreaves |
Queer Expression, Context and Performativity: Not Talking and Saying Too Much |
Sarma |
2002 |
| Meg Stuart, Catherine Sullivan |
Catherine Sullivan and Meg Stuart |
BOMB magazine |
2008 |
| Gerald Siegmund |
Haunting voices and ladies who vanish |
Sarma |
2002 |
| Jeroen Peeters |
Some things will have been unravelling |
Programme note |
2016 |
| Jeroen Peeters |
Transition Exercises for a More Sustainable Mobility |
/re/framing the international |
2018 |
| Constanze Klementz |
To make visible what had no intention of being seen |
www.philippgehmacher.net |
2010 |
| Rudi Laermans |
Achter de schermen van het ballet |
Etcetera |
1999 |
| Jeroen Peeters |
Strategies of adaptation |
A-Prior |
2001 |