| Author |
Title |
Publication |
Year |
| Jeroen Peeters |
Dermographies |
www.wpzimmer.be |
2002 |
| Jeroen Peeters |
There’s no way of escaping being looked at by others |
Programme note |
2002 |
| Daniel Lepkoff, Lisa Nelson, Myriam Van Imschoot |
On Stillness |
Contact Quarterly |
2004 |
| Marianne Van Kerkhoven |
Rosas Early Works 1982-87 (Eng.) |
Kaaitheater bulletin |
2010 |
| Jeroen Peeters |
Body compositions in the post-medium condition |
DerStandard.at, ImPulsTanz.com |
2002 |
| Alexander Roberts |
Turning, turning, returning |
Sarma |
2015 |
| Mette Ingvartsen |
Cinematic Bodies, Affects and Virtuality in a World of Spectacular Expressions |
The Making Of The Making Of |
2006 |
| Jeroen Peeters |
Strategies of adaptation |
A-Prior |
2001 |
| Jeroen Peeters |
Materials, dialogues and observations on proximity, walking about Connexive #1: Vera Mantero |
Sarma |
2004 |
| André Lepecki, et al. |
Theaterschrift Extra. Intensification: Contemporary Portuguese Performance |
Theaterschrift |
1998 |
| Jeroen Peeters |
Er is geen ontsnappen aan vreemde blikken |
Programme note |
2002 |
| Natasha Hassiotis |
Lalala Human Steps: Breathless! |
Avgi newspaper |
1997 |
| Mette Ingvartsen |
Self-Interview on IT'S IN THE AIR |
Everybodys Self-Interviews |
2007 |
| Trajal Harrell |
Interview with Meg Stuart |
Movement Research Performance Journal |
2008 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 2. The Written Space |
Theaterschrift |
1992 |
| Jeroen Peeters |
Meg Stuart – Ein Hyperporträt |
Schauspielhaus Zürich |
2003 |
| Jeroen Peeters |
Makeshift communities of practice |
Sarma |
2015 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Worksof Vera Mantero and Francisco Camacho (1985-97) - Chapter 2 |
Sarma |
2004 |
| Meg Stuart, Catherine Sullivan |
Catherine Sullivan and Meg Stuart |
BOMB magazine |
2008 |
| Jeroen Peeters |
Strategieën van adaptatie |
A-Prior |
2001 |