| Author |
Title |
Publication |
Year |
| Jeroen Peeters |
Performing A School. The Bocal Project |
Contact Quarterly |
2007 |
| Jeroen Peeters |
Performing the School |
Knowledge in motion |
2007 |
| Jeroen Peeters |
Unwitnessed memories, uncharted territories |
Programme note |
2006 |
| Jeroen Peeters |
Perception in Action |
www.pauldeschanel.be |
2004 |
| Lisa Nelson, Tony Vacca, Tim Wolf |
The theatre, the music, the dance |
Contact Quarterly |
1985 |
| Jeroen Peeters |
It's in the shape of fire |
Programme note |
2017 |
| Martina Ruhsam |
Dramaturgy of and as Collaboration |
Maska |
2010 |
| Martin Hargreaves |
Observations and visible definitions |
Sarma |
2002 |
| Jeroen Peeters |
Dance critic: profession, role, personage, performance? |
Stationen |
2004 |
| Jeroen Peeters |
Materials, dialogues and observations on proximity, walking about Connexive #1: Vera Mantero |
Sarma |
2004 |
| Jeroen Peeters |
Living together on stage (once more) |
Tanzheft |
2009 |
| Gerald Siegmund |
Mind the Gap, or: the Mind in the Gap |
|
2000 |
| Herman Asselberghs, Dieter Lesage |
Homo Politicus. Pim Fortuyn: A Case Study |
Sarma |
2002 |
| Moriah Evans |
Interview with Chrysa Parkinson |
Movement Research Performance Journal |
2010 |
| Jeroen Peeters |
Some things will have been unravelling |
Programme note |
2016 |
| Tom Engels |
Between Solitaire and a Basketball Game. Dramaturgical Strategies in the Work of Antonia Baehr |
Bastard or Playmate? |
2012 |
| Gerald Siegmund |
Haunting voices and ladies who vanish |
Sarma |
2002 |
| Jeroen Peeters |
Why do we look at animals? |
Etcetera |
2013 |
| Meg Stuart, Catherine Sullivan |
Catherine Sullivan and Meg Stuart |
BOMB magazine |
2008 |
| Anouk Llaurens, Myriam Van Imschoot |
Interview of Myriam van Imschoot by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |