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Results 21-40 of 46, page 2 of 3 ⟵ ⟶
| Author |
Title |
Publication |
Year |
| Marianne Van Kerkhoven |
Theaterschrift 5 & 6. On Dramaturgy |
Theaterschrift |
1994 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 1 |
Sarma |
2004 |
| Jeroen Peeters |
Where do we find ourselves when we follow the weed trail that leads from the museum into the world? |
Museum II |
2017 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 2. The Written Space |
Theaterschrift |
1992 |
| Marianne Van Kerkhoven |
The ongoing moment (Eng.) |
Sarma |
2009 |
| Deborah Jowitt |
Happy Birthday, dear Igor |
The Village Voice |
1972 |
| Rudi Laermans |
When an oeuvre is more than the sum of its parts |
Pigment |
2003 |
| Bojana Cvejic |
How open are you open? Pre-sentiments, pre-conceptions, pro-jections. |
Sarma |
2004 |
| André Lepecki |
Wake up call |
Etcetera |
2000 |
| Marianne Van Kerkhoven |
Brussels - directions for foreigners |
Theaterschrift |
1995 |
| Jeroen Peeters |
Dialogues on blindness II. |
Dance Theatre Journal |
2005 |
| Raimund Hoghe |
Meinwärts |
|
1994 |
| Ismail Fayed |
Forgotten Histories and Parallel Historiographies |
Sarma |
2014 |
| Rudi Laermans |
Oeuvreloos maar niet werkeloos |
Pigment |
2003 |
| Jeroen Peeters |
Running Backwards in Advance of Yourself |
The Time We Share |
2015 |
| Katja Praznik |
The hegemony of heterogeneity or the personal as apolitical |
Maska |
2004 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 3 |
Sarma |
2004 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Worksof Vera Mantero and Francisco Camacho (1985-97) - Chapter 2 |
Sarma |
2004 |
| Rudi Laermans |
Dramatic Images of Society |
Ballett International Tanz Aktuell |
1995 |
| Gerald Siegmund |
The mirror and the empty stage |
Shadow Bodies |
2006 |
Results 21-40 of 46, page 2 of 3 ⟵ ⟶