We Go
Results 1-20 of 365, page 1 of 19 ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| Jeroen Peeters | Scrabble op de scène | De Morgen | 2004 |
| Adham Hafez, Nancy Naous | Interview with Nancy Naous | Sarma | 2021 |
| Pieter T'Jonck | Jérôme Bel maakt paradoxaal theater: Wereldpremière van 'The show must go on 2' in Kaaitheater Brussel | De Tijd | 2004 |
| Pieter T'Jonck | Must the show go on? | De Morgen | 2007 |
| Lisa Nelson, Mark Tompkins, David Zambrano | Need to Know | Contact Quarterly | 2000 |
| Jeroen Peeters | Where is the work of art at work? | Superamas. BIG 3 episodes (art / discourse) | 2010 |
| Rudi Laermans | Avant-gardisme als neoacademisme | Etcetera | 2001 |
| Pieter T'Jonck | Jérôme Bel dubbelzinnig én humoristisch : Gelieve zelf verder af te werken | De Standaard | 2001 |
| Martin Nachbar | This lecture doesn't have a title. The subtitle is: | Sarma | 2001 |
| Aat Hougée, Lisa Nelson, Steve Paxton, Nancy Topf | Whose Dance Are You Doing | Talk / SNDO 1982-2006: dancers talking about dance | 2009 |
| Jeroen Peeters | The operational theatre | DerStandard.at, ImPulsTanz.com | 2002 |
| Pieter T'Jonck | Hetzelfde, maar dan helemaal anders | De Morgen | 2007 |
| Pieter T'Jonck | Leeg podium, overvol hoofd: GERECENSEERDDANS | De Tijd | 2004 |
| Gerald Siegmund | Jenseits der Theaterkonvention | Frankfurter Allgemeine Zeitung / Rhein-Main | 2001 |
| Martin Nachbar | How to become a trespasser or how to produce a crack in the map | Etcetera | 2005 |
| Tang Fu Kuen, Arco Renz | Unfolding the Critical: Conversation between Tang Fu Kuen and Arco Renz | Sarma | 2003 |
| Deborah Jowitt | Gestures Printed on Space | The Village Voice | 1975 |
| Jeroen Peeters | Mama, waarom praten wij? | De Morgen | 2004 |
| Philipp Gehmacher | A transcript of Philipp Gehmacher's walk+talk no. 5 | www.philippgehmacher.net | 2008 |
| Alexander Baervoets, Natasha Hassiotis | Unfolding the critical: Conversation between Natasha Hassiotis and Alexander Baervoets | Sarma | 2003 |
Results 1-20 of 365, page 1 of 19 ⟶