Stories
Results 41-60 of 92, page 3 of 5 ⟵ ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| Rudi Laermans | The unbearable professionalism of theater | Shifting Gears | 1998 |
| Jeroen Peeters | The empire of remote witnesses | Corpus | 2008 |
| Tim Etchells | Doing Time | Performance Research | 2009 |
| Marianne Van Kerkhoven | Focus Peter van Kraaij (Eng.) | Kaaitheater bulletin | 2003 |
| Deborah Jowitt | The New Improved Razzle-Dazzle | The New York Times | 1975 |
| Frédéric Gies, Frédéric de Carlo | Discussion: B-Visible = Q-Visible? | Sarma | 2002 |
| Jeroen Peeters | Where do we find ourselves when we follow the weed trail that leads from the museum into the world? | Museum II | 2017 |
| Tom Engels | Letter to Coreia | Coreia | 2020 |
| Pieter T'Jonck | Rosas In The Nineties: The Gesamtwerk as Image of the Body | Ballett International Tanz Aktuell | 1997 |
| Sawsan Gad | The Future of Egyptians | Sarma | 2014 |
| Jeroen Peeters | Expanding the hunting ground | Programme note | 2014 |
| Diana Theodores | Rehabilitating Dance Criticism | Dance Theatre Journal | 2002 |
| André Lepecki | Why Theater? | Ballettanz | 1996 |
| Marianne Van Kerkhoven | Focus Dito'Dito (Eng.) | Kaaitheater bulletin | 2004 |
| André Lepecki, et al. | Theaterschrift Extra. Intensification: Contemporary Portuguese Performance | Theaterschrift | 1998 |
| Jeroen Peeters | Some things will have been unravelling | Programme note | 2016 |
| Jeroen Peeters | A Visitor's Ramblings and Jottings | Programme note | 2003 |
| Camilla Eeg | Chambre Separée | 2001 | |
| Jeroen Peeters | Blind Machinations and Grotesque Counter-Movements | Blind Machinations and Grotesque Counter-Movements | 2006 |
| Agnes Benoit-Nader, Lisa Nelson | Conversation with Lisa Nelson | Nouvelles De Danse | 1997 |
Results 41-60 of 92, page 3 of 5 ⟵ ⟶