| Author |
Title |
Publication |
Year |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 1. Beyond Indifference |
Theaterschrift |
1992 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 7. The Actor |
Theaterschrift |
1994 |
| Katja Praznik |
The hegemony of heterogeneity or the personal as apolitical |
Maska |
2004 |
| Marianne Van Kerkhoven |
Theaterschrift 10. City / Art / Cultural Identity |
Theaterschrift |
1995 |
| Ismail Fayed |
Forgotten Histories and Parallel Historiographies |
Sarma |
2014 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 3. Border Violations: On Risk, Violence & Inner Necessity |
Theaterschrift |
1993 |
| Rudi Laermans |
Dramatic Images of Society |
Ballett International Tanz Aktuell |
1995 |
| André Lepecki |
‘Onbeweeglijke actie’ in Jérôme Bels The Last Performance |
Het zout der aarde |
2001 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 2. The Written Space |
Theaterschrift |
1992 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 1 |
Sarma |
2004 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 3 |
Sarma |
2004 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Worksof Vera Mantero and Francisco Camacho (1985-97) - Chapter 2 |
Sarma |
2004 |
| Jeroen Peeters |
Dance critic: profession, role, personage, performance? |
Stationen |
2004 |
| Marianne Van Kerkhoven |
Theaterschrift 5 & 6. On Dramaturgy |
Theaterschrift |
1994 |
| Rudi Laermans, Marianne Van Kerkhoven |
Anne Teresa De Keersmaeker (Eng.) |
Critical Theatre Lexicon |
1998 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 6 |
Sarma |
2004 |
| Diana Theodores |
On critics and criticism of dance |
New directions in dance |
1979 |