sarma

Laboratory for discursive practices and expanded publication

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Programme

Author	Title	Publication	Year
Georges Sion	L’Ensemble Moïsséev L’American Ballet	Les Beaux-Arts	1958
Rudi Laermans	The Uncanny Art of Meg Stuart & Damaged Goods	3T. Tidsskrift for teori og teater	2001
Natasha Hassiotis	Ballet-Tech at Joyce Theatre, N.Y.	Avgi newspaper	1997
André Lepecki	Dancing without a Mirror	Ballettanz	1998
André Lepecki	Swallow My Yellow Smile - Schlucke mein feiges Lächeln	Programme note	1994
Diana Theodores	Rehabilitating Dance Criticism	Dance Theatre Journal	2002
Pieter T'Jonck	Boris Charmatz op grens beeldende kunst, performance en dans : Zinnelijke lichamen buiten het media-boekje	De Standaard	2001
Franz Anton Cramer	Dance Criticism: Negotiating Knowledge, Taste, and Power	Sarma	2003
Marcel Lobet	Danses balinaises	Le Soir	1958
Pieter T'Jonck	Eenvoudige ingrediënten, ingewikkelde figuren	De Standaard	1994
Joe Kelleher	Lecture For Every One by Sarah Vanhee	Programme note	2013
Gerald Siegmund	Eine menschliche Komödie	Frankfurter Allgemeine Zeitung / Rhein-Main	2003
Georges Sion	Jerome Robbins et les Ballets U.S.A. Le Nederlands Ballet	Les Beaux-Arts	1958
André Lepecki	Arts on the edge of moving	Programme note	1995
Jeroen Peeters	Rubbing up against the social	Programme note	2010
André Lepecki	Moving against	Programme note	1995
Gerald Siegmund	Rendez-vous avec Chopin	Dance Europe	2003
Jeroen Peeters	Afdalen in de materie	Programme note	2003
Jeroen Peeters	Great Expectations, Minor Routines	Programme note	2025
Marcel Lobet	Margot Fonteyn triomphe dans la ‘Belle au bois dormant’	Le Soir	1958