| Author |
Title |
Publication |
Year |
| Meg Stuart, Catherine Sullivan |
Catherine Sullivan and Meg Stuart |
BOMB magazine |
2008 |
| Anouk Llaurens, Myriam Van Imschoot |
Interview of Myriam van Imschoot by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |
| Sabina Holzer |
What if Life, Permeated by Art, Becomes a Work of Art? |
Performing the Sentence |
2014 |
| André Lepecki |
Encontros Acarte ’90: Showdown (Part Two) |
BLITZ |
1990 |
| Sabina Holzer |
What is language that knows? What is language that cares? |
Corpus |
2008 |
| Steven De Belder |
Science as a metaphor for the practice of dance |
Etcetera |
2001 |
| Antonia Baehr, Xavier Le Roy |
Interview Antonia Baehr / Xavier Le Roy |
Rire Laugh Lachen |
2008 |
| André Lepecki |
Rethinking Words |
Contact Quarterly |
1994 |
| Ramsay Burt |
Undoing postmodern dance history |
Sarma |
2004 |
| Jan-Willem Anker |
Aphasia or another world |
On Enclosed Spaces and the Great Outdoors |
2020 |
| Erwin Jans |
‘A living carpet with much doubt throughout and yet, with the help of “the others”, a self-sought pattern with several colours and a few lines’ |
Sarma |
2015 |
| Jeroen Peeters |
Bocal - a nomadic school |
Sarma |
2005 |
| Anouk Llaurens, Jeroen Peeters |
Interview of Jeroen Peeters by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |
| Pieter T'Jonck |
The interchangeability of dance and visual art after Duchamp |
Tussen beeld en beweging |
2002 |
| Alexander Roberts |
Turning, turning, returning |
Sarma |
2015 |
| Janez Jansa |
From Dramaturgy to Dramaturgical |
Maska |
2010 |
| Diana Theodores |
On critics and criticism of dance |
New directions in dance |
1979 |
| Prue Lang |
Thinking, motion and language |
Denken in Bewegung |
2004 |
| Diana Theodores |
Choreographing the question: a dramaturg and choreographer in dialogue |
Dance Theatre: an International Investigation |
1999 |
| Jan Ritsema |
Lecture on improvisation |
Sarma |
2004 |