Good enough

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Results 61-80 of 108, page 4 of 6

Author Title Publication Year
Sabina Holzer L’informel und la différance Corpus 2011
Sabina Holzer How to use the resource of the body to pursue ideas? Corpus 2009
Herman Asselberghs, Dieter Lesage Homo Politicus. Pim Fortuyn: A Case Study Sarma 2002
Mette Ingvartsen Cinematic Bodies, Affects and Virtuality in a World of Spectacular Expressions The Making Of The Making Of 2006
Jeroen Peeters School-ridden bodies Corpus 2009
André Lepecki How radical is contemporary dance? Ballettanz 1995
Pieter T'Jonck The interchangeability of dance and visual art after Duchamp Tussen beeld en beweging 2002
Jeroen Peeters Dialogues on blindness II. Dance Theatre Journal 2005
Pieter T'Jonck Perspectives after P.A.R.T.S. the first generation Carnet 1999
Jeroen Peeters Performing the School Knowledge in motion 2007
Martin Nachbar Training remembering Sarma 2009
Marianne Van Kerkhoven Focus Tg Stan (Eng.) Kaaitheater bulletin 2003
Jeroen Peeters Blinde machinaties en groteske tegenbewegingen Blinde machinaties en groteske tegenbewegingen 2006
European Dance Development Center, Peter Hulton, Lisa Nelson The Sensation is the Image Writings on Dance 1996
Rudi Laermans Theatre and politics The Salt of the Earth 2001
Aat Hougée, Lisa Nelson, Steve Paxton, Nancy Topf Whose Dance Are You Doing Talk / SNDO 1982-2006: dancers talking about dance 2009
Joe Kelleher Lecture For Every One by Sarah Vanhee Programme note 2013
André Lepecki Writing in motion Etcetera 1996
Martin Hargreaves Observations and visible definitions Sarma 2002
Rudi Laermans, Carine Meulders The body is the re/de-presentation Ungerufen / Uncalled 2009

Results 61-80 of 108, page 4 of 6