Event
Results 1-20 of 178, page 1 of 9 ⟶
| Author | Title | Publication | Year |
|---|---|---|---|
| Martin Hargreaves | Visible definitions | Sarma | 2003 |
| Jeroen Peeters | Perhaps he could write first and think afterwards? | DerStandard.at, ImPulsTanz.com | 2002 |
| Rudi Laermans | Gesture | Performance Research | 2006 |
| Gabriele Brandstetter | Preserving the Performance - Scholarship as Art? | Sarma | 2005 |
| Jeroen Peeters | Performing the instantaneous, displacing criticism | Sarma | 2002 |
| Jeroen Peeters | Rhythm/repetition/pattern | DerStandard.at, ImPulsTanz.com | 2002 |
| Jeroen Peeters | Gebeurt er? | Financieel-Economische Tijd | 2000 |
| Alexander Baervoets | Sein und Schein (True or False) | Sarma | 1999 |
| Pieter T'Jonck | Cunningham briljant en onderkoeld | De Standaard | 2000 |
| Sabina Holzer | Bruchstücke von Märchen | Corpus | 2009 |
| Lisa Nelson, Nancy Stark Smith | A Short History | Contact Quarterly | 1980 |
| Deborah Jowitt | The Fine Art of Bloodsucking | The Village Voice | 1970 |
| Martin Hargreaves | Observations and visible definitions | Sarma | 2002 |
| Pieter T'Jonck | Art and criticism: Siamese twins | Sarma | 2003 |
| Sabina Holzer | Who are we and how can we share? | Corpus | 2020 |
| Doa Aly | No Time For Art | moabdallah.wordpress.com | 2011 |
| Jeroen Peeters | Fostering ambivalence to disguise dogma? | Sarma | 2002 |
| Bojana Cvejic | How open are you open? Pre-sentiments, pre-conceptions, pro-jections. | Sarma | 2004 |
| André Lepecki | Bagnolet selection: Dance in the capital | BLITZ | 1992 |
| Sabina Holzer | A book as a choreography | Corpus | 2010 |
Results 1-20 of 178, page 1 of 9 ⟶