| Author |
Title |
Publication |
Year |
| Helmut Ploebst, Barbara Van Lindt |
Unfolding the critical: conversation between Helmut Ploebst and Barbara Van Lindt |
Sarma |
2003 |
| Jeroen Peeters |
Running Backwards in Advance of Yourself |
The Time We Share |
2015 |
| Marianne Van Kerkhoven |
Theaterschrift 5 & 6. On Dramaturgy |
Theaterschrift |
1994 |
| Raimund Hoghe |
Meinwärts |
|
1994 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97) - Chapter 6 |
Sarma |
2004 |
| Marianne Van Kerkhoven |
Focus Charlotte Vanden Eynde (Eng.) |
Kaaitheater bulletin |
2005 |
| Marianne Van Kerkhoven |
Reservoir: Jonathan Burrows (FR) |
Kaaitheater bulletin |
2007 |
| André Lepecki |
Undoing the fantasy of the (dancing) subject. |
The Salt of the Earth |
2001 |
| Stefanie Wenner |
Horizon as a machine to produce visibility |
Sarma |
2002 |
| Constanze Klementz |
To make visible what had no intention of being seen |
www.philippgehmacher.net |
2010 |
| Paul Caso |
Au rendez-vous du Heysel: un nouvel humanisme |
Le Soir |
1958 |
| Frans Poelstra , Robert Steijn |
Frans Poelstra, his dramaturge and Bach |
Le journal des laboratoires |
2005 |
| Sabina Holzer |
What if Life, Permeated by Art, Becomes a Work of Art? |
Performing the Sentence |
2014 |
| André Lepecki |
Rethinking Words |
Contact Quarterly |
1994 |
| Rudi Laermans |
Death foretold and its brief hereafter |
Jan Fabre. Texts on his theatre work |
1993 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 3. Border Violations: On Risk, Violence & Inner Necessity |
Theaterschrift |
1993 |
| Rudi Laermans |
A home for the impermanent? |
Carnet |
1994 |
| Jeroen Peeters |
Where do we find ourselves when we follow the weed trail that leads from the museum into the world? |
Museum II |
2017 |
| Jeroen Peeters |
Bocal - a nomadic school |
Sarma |
2005 |
| Anouk Llaurens, Jeroen Peeters |
Interview of Jeroen Peeters by Anouk Llaurens |
Replays, variations sur les Tuning Scores de Lisa Nelson |
2025 |