| Author |
Title |
Publication |
Year |
| Sabina Holzer |
Who are we and how can we share? |
Corpus |
2020 |
| Gerald Siegmund |
Erzähl mir vom Vulkan |
Frankfurter Allgemeine Zeitung |
2002 |
| Jeroen Peeters |
Where is dance now and where will it go? |
Corpus |
2011 |
| Sabine Pochhammer, et al. |
Theaterschrift 11. The Return of the Classics? |
Theaterschrift |
1997 |
| Alexander Roberts |
Turning, turning, returning |
Sarma |
2015 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 2. The Written Space |
Theaterschrift |
1992 |
| Martin Hargreaves |
Observations and visible definitions |
Sarma |
2002 |
| Alexander Baervoets, Natasha Hassiotis |
Unfolding the critical: Conversation between Natasha Hassiotis and Alexander Baervoets |
Sarma |
2003 |
| Gerald Siegmund |
Raimund Hoghe and the Art of Ritual Substitution |
|
2004 |
| Herman Asselberghs, Dieter Lesage |
Homo Politicus. Pim Fortuyn: A Case Study |
Sarma |
2002 |
| Jeroen Peeters |
Small Spaces - Low Energy |
www.pauldeschanel.be |
2003 |
| Marianne Van Kerkhoven |
The ongoing moment (Eng.) |
Sarma |
2009 |
| Eleanor Bauer |
Self-Interview on AT LARGE |
Everybodys Self-Interviews |
2008 |
| Jeroen Peeters |
Materials, dialogues and observations on proximity, walking about Connexive #1: Vera Mantero |
Sarma |
2004 |
| Pieter T'Jonck |
The interchangeability of dance and visual art after Duchamp |
Tussen beeld en beweging |
2002 |
| Rudi Laermans, Marianne Van Kerkhoven |
Anne Teresa De Keersmaeker (Eng.) |
Critical Theatre Lexicon |
1998 |
| Marcel Lobet |
An investigation into the revival of ballet themes |
World Theatre |
1957 |
| Gerald Siegmund |
The mirror and the empty stage |
Shadow Bodies |
2006 |
| André Lepecki |
Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Worksof Vera Mantero and Francisco Camacho (1985-97) - Chapter 2 |
Sarma |
2004 |
| Marianne Van Kerkhoven, et al. |
Theaterschrift 1. Beyond Indifference |
Theaterschrift |
1992 |